These drawings seem to be made of the same substance as dreams. They restore a quality to painting that has already been consecrated by the theater, and I don’t make this comparison in vain. I invite spectators to witness this optical drama that revives the dream of the sunken tower – especially in the drawing composed on a scroll or kakemono – which inevitably encapsulates a dream conceived to be represented as a drama of the imagination on the stage of the empty page.