1989∙El Altar de los Reyes is exhibited in Mexico City’s Castillo de Chapultepec, the Casa de Cultura de Puebla; in Taxco, Guerrero as part of the second edition of “Las jornadas alarconianas,” as well as in Mazatlán, Sinaloa in the Teatro Ángela Peralta.

1988∙Altar de los Reyes is exhibited at the Catedral Metropolitana and subsequently at the Centro Cultural de la Secretaría de Hacienda y Crédito Público, Mexico City.

1988∙Rosas, dedicated to Fernando Gamboa, is exhibited in Mexico City’s Galería Lourdes Chumacero.

1987∙The installation Mariposa Monarca, eternidad de lo efímero is exhibited at Mexico City’s Museo de Arte Moderno.

1986∙Hojas transfiguradas, an exhibition inspired by the tobacco production process, is held at the Centro Cultural Oaxaca, the Bodegas de Tabamex in Tepic, Nayarit and in Mexico City’s Palacio de Minería.

1985∙Carmen Parra participates in the founding of the newspaper La Jornada.

1984∙La Cathédrale de Mexico, Temps Captif, is exhibited at the Orangerie of the Hôtel de Sully, Paris. La luz no muere sola, which was the first bullfighting-themed exhibition done by a woman in Mexico is shown in Mexico City’s Galería Lourdes Chumacero.

1983∙El coro de la Catedral de México is exhibited in the building adjoining Mexico City’s Catedral Metropolitana.

1982∙Mariposa Monarca, 40 000 Años Papalotl, the first ecological exhibition and happening, is hosted at Mexico City’s Galería Sloane Racotta. Y la luz se hizo ángel is presented in Mexico City’s Galería Lourdes Chumacero.

1981∙ La ascensión de la Catedral, Galería Kin, Mexico City.